Jade Doskow is KiptonART's Featured Artist for the magazine coming out online today at KiptonART.com . Check out Jade's answers to the five questions we ask every artist.
-Hometown: Perkiomenville, Pennsylvania
-Have lived in NYC since 1996
-currently reside in Brooklyn
Who/what is your biggest influence or inspiration right now?
I have just moved back to my beloved neighborhood of Red Hook, Brooklyn, a very odd and unique community of artists and gardeners. It is here that I am greatly influenced by the nuances of brightness and shadow; the strange, somewhat decrepit townhouses in contrast with the newly renovated, charming buildings; and the incredible light across the New York harbor. As Robert Rauschenberg said, it is best to work in the gap between art and life, and the photographs I make are based wholly on the way I live and experience the world around me on a daily basis.
What is the first thing that comes to mind after an opening?
Openings are so exhilarating; it's such a high to have my work on display and have people respond to it in unexpected and enlightening ways. I usually feel a bit of sadness at the closing of an opening because I don't want it to be over! And also---an intense desire to make new work.
Why did you choose this medium?
Photography kind of found me. I won an award for an early series of self-portraits when I was at NYU, and that caused me to realize that the pictures I was making were having an effect, both for the viewers and for myself. Over the years I have come to love the mechanical and intuitive characteristics of the medium; currently I shoot with a large format camera. Shooting with the big camera is a tricky and wonderful challenge; on one hand, there are many extremely precise steps involved in making a picture. Paradoxically, despite setting up a strict framework in which the picture will be made, there is an equal amount of room for inexplicable error and strange light effects. I would say my process as an artist thrives on this battle between control and chaos while making a picture, setting up a formalist, strict framework and then seeing what happens past that.
What is one of your favorite past exhibitions?
Over the last couple of years several exhibitions have stuck with me: Cai Quo-Qiang 'I Want to Believe' at the Guggenheim was just incredible; he is so very prolific and the work was remarkably beautiful, exciting, dynamic, and smart, touching upon a wide gamut of issues in a completely original way. I especially loved his installation room full of broken plates made in one of the last porcelain factories in China, in the middle of which seemed to sail a very old fishing boat from Japan, also with specific cultural and political connotations. 'You are the Measure,' the retrospective of Gordon Matta-Clarke's at the Whitney was inspiring as well. Matta-Clarke has and always will be a huge influence on the way I understand space and how to look at it in new and challenging ways. Especially of interest were the video pieces of Matta-Clarke and his team actually breaking the house in his piece 'Splitting,' and the care with which they performed this radical surgery.
Do you collect anything?
I actually don't collect much, although I do love photography books and have a nice assortment of them. My favorite recent addition is Joel Sternfeld's Oxbow Archive.' I also collect world's fair trinkets---in the sense that people often give them to me as gifts when they find out about my current work, which examines the remains of world's fair sites.
Check out more on KiptonART magazine
Kipton Cronkite Approved!